Sonata in D minor, Op. 9 by Karol Szymanowski. Genesis – reception – compositional technique
Journal Title: Edukacja Muzyczna - Year 2015, Vol 10, Issue 10
Abstract
The article synthesizes all information, analyses and comments on ‘Sonata in D minor for violin and piano’, op. 9 by Karol Szymanowski, and offers a thorough study of the musical form and language of the work. The content is divided into 5 paragraphs: 1) Introduction, 2) Genesis, 3) Reception, 4) Compositional technique, 5) ‘Sonata in D minor’ in musicological literature. The first of these makes preliminary observations on the composer’s violinistic style. The second lists all the data and circumstances relating to the creation of ‘Sonata in D minor’ on the basis of Polish literature. The third one examines the reviews of the work after the first public performances in Poland and abroad. The fourth section, which constitutes the central part of the article, deals with the compositional technique and has been divided into 7 areas: 1. Architecture, 2. The structure of formal elements, 3. Thematic work technique, 4. The tonal plan of the composition 5. Melody characteristics 6. Texture vs harmony and tonality 7. Interinstrumental relations. Analytical considerations have been included in a two-part structure, detailing the specific issues. The analysis of the form as well as technical and ex- pressive devices of the work aims to show the artistic maturity of this youthful work. It is illustrated with five examples of musical notation. The last section provides an overview of opinions on the ‘Sonata in D minor’ by Szymanowski, expressed in Polish and foreign literature (German, English, French) dedicated to the biography and works of the composer. The issues raised in the article are supported by numerous quotations from monographs by Polish and foreign scholars. The article, crowned with final conclusions, contains an annex listing the Sonata recordings.
Authors and Affiliations
Maryla Renat
Anton Aschner’s Marian Antiphons
The article introduces the figure of Anton Aschner (born in 1732), a barely known Slovak composer, as well as the selected aspects of his artistic creation. The Author starts with the presentation of the state of researc...
O traktorze pędzącym w rytm Kalinki. Folklor w filmach animowanych Europy Środkowo-Wschodniej powstałych w latach 1949–1984
Filmy animowane dla dzieci zasługują na uwagę nie tylko jako utwory ukierunkowane na przekazywanie treści dydaktycznych, czy też mające zapewnić najmłodszym widzom rozrywkę – nieraz dokumentują rzeczywistość, utrwalają m...
The outline of the development of the Czech state arts education from the establishment of the Czechoslovak Republic to the present
The paper presents a brief chronological overview of the development of the state primary art education since the establishment of the Czechoslovak Republic. Gradual modifications of the primary art education are mapped...
Music Education in Training Early Childhood Education Teachers in the Context of Jerome Bruner’s System of Representations. Its Purpose and Teaching Methodology Modification for Remote Work
The article consists of two parts. The first presents the implications for training early childhood music education teachers which arise from the theory of developmental psychology concerning Jerome Bruner’s system of re...
Z historii stosunków polsko-ukraińskich w środowisku muzycznym Uniwersytetu Lwowskiego w pierwszych trzech dekadach XX wieku
Problematyka niniejszej pracy koncentruje się na określeniu relacji Adolfa Chybińskiego, wybitnego polskiego muzykologa, kierownika Zakładu Muzykologii Uniwersytetu Lwowskiego z jego ukraińskimi studentami i współpracown...