Technostalgia, kontrola i ironia. Nonsense technologies w sztuce Przemysława Jasielskiego

The fusion of art and science doesn’t need to beconfusing for viewers. It shouldn’t be too easy either.Installations created by PrzemysławJasielskipropose an experimental intervention into realityusing nonsense technolog...

Antropolog jako dokumentalista zaangażowany. O wrocławskiej grupie Cinema Albert Production

'Bezgraniczna rozrywka' Josepha Garncarza, czyli o prezentacji filmów w Niemczech przed I wojną światową (recenzja)

Transmediality in Italy in the Fascist Era: Soundscape and Transmedia Resonances

Italy in the Thirties is the focus of a complex system of media convergence, in which the sound plays a leading role. Between 1924 (the year in which the national radio broadcasting was established in Italy) and 1930 (wh...

Home as Emotional Space in Marilynne Robinson’s Diptych about Gilead

The article discusses the controversial nature of home in Marilynne Robinson’s novels Home and Gilead. Family histories of two aging ministers – the Rev. Ames and the Rev. Boughton – are narrated in a way that brings tog...