THE GENESIS OF THE «SILENT POETRY» (1960’s – 1980’s OF THE 20TH CENTURY) IN THE LITERARY PROCESS OF THE SLAVIC PEOPLES (UKRAINE, RUSSIA, BULGARIA)
Journal Title: Наукові праці. Серія "Філологія. Літературознавство" - Year 2016, Vol 277, Issue 265
Abstract
The article deals with the phenomenon of the «silent poetry» in the context of comparison of Slavic literatures: Uk-rainian, Russian and Bulgarian in particular. The ideological component of the «silent poetry» in different national cul-tures is analyzed, which was represented in the appeal to the tradition and the demonstration of the silence as an internal inconsistency with the political usurpation of the artistic space of the second half of the previous century. After all the cul-tural era of 1960’s – 1980’s of the 20th century was characterized as a loud artistic takeoff, lyrical experimentation and eventually a powerful calm as a form of a protest against the ideological system. The discrimination of Ukrainian cultural array in the early seventies created the social status of «art of silence». Such creative muteness of the «period of stagna-tion of the Soviet Union» expanded to all the levels of cultural life of the «quiet» intellectuals of not only Ukrainian litera-ture, but Bulgarian and Russian as well. It should be noticed that the main identifiers of the Russian silent poets were not only art and figurative expressiveness of silence and quietness as the components of the creative work’s structure and nei-ther were the markers of the ideological position of the artists, but the motivational system of the creation in the channel of the folk and meditative elegy. The options for its nominating definitions and classification division of the literary process in 1960–1980-ies of XX century in these countries are investigated. Artistic and imaginative dominants of the mantioned lit-erary phenomenon that appealed to the ontological categories of verity of human existence, connection of a person and natural universe and appeal to the inner world of the lyrical subject are represented.
Authors and Affiliations
O. Sharagina
Keywords
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