“[They] would say she was betraying Poland already”: Major Themes in Contemporary Canadian Literature by Writers of Polish Origins

Journal Title: Anglica. An International Journal of English Studies - Year 2018, Vol 27, Issue 1

Abstract

In June 2015 The Canadian Polish Research Institute organized a panel discussion chaired by professor Tamara Trojanowska called “Writing Change and Continuity: Culture, Languages, Generations.” The debate featured esteemed writers of Polish descent: Eva Stachniak, Andrew Borkowski, Ania Szado, Jowita Bydlowska and Aga Maksimowska. Although the writers in question do not belong to the same generation and do not share exactly the same emigration experience, nowadays they form a distinguished group of Canadian writers of Polish origins. The aim of this paper is to look at the selection of the latest texts written by authors of the Polish diaspora in Canada such as Eva Stachniak’s The Chosen Maiden (2017), Jowita Bydlowska’s Drunk Mom (2013) and Guy (2016), Ania Szado’s Studio Saint Ex (2013) and Aga Maksimowska’s Giant (2012) among others. This paper does not venture to repeat the conclusions drawn during the panel but rather to extend the exploration of the recent Polish diasporic, multivoiced writing as well as offer a modest supplement to the famous analysis of ethnic writing proposed by Smaro Kamboureli in her Scandalous Bodies: Diasporic Literature in English Canada (2009). Hence, the discussion comprises the authors’ choice of themes, (dis)appearance of immigrant motifs, references to Poland as a country of origin and Canada as the new homeland as well as an analysis of the genres the aforementioned authors use.

Authors and Affiliations

Dagmara Drewniak

Keywords

Related Articles

“Dinner by the River” and “Driving to the Airport”: Andrew Taylor’s Polish Ash Poems and Jacques Derrida’s Cinder

Andrew Taylor (b. 1940), one of the most eminent living Australian poets, has had a lasting relationship with Poland and Opole in particular. As a result of one of his several visits to Opole, he wrote two poems, “Dinner...

Nice to Meet You or Nice Meeting You: Complementation Patterns of Emotive Adjectives

The current paper investigates the plausibility of the claim that the complementation patterns of an adjective can resemble that of a verb as well as its compliance with the rules of Present-Day English. The results of t...

“The Things We Are”: Alasdair Gray’s Poor Things and the Science of Man

The aim of this article is to examine the influence of Scottish Enlightenment philosophy on Alasdair Gray’s novel Poor Things (1992) with a particular focus on its references to the natural and life sciences. The essay a...

Happy is the Land that Needs No Heroes

This essay interrogates two articles by the Canadian historian Jeff Keshen and the Australian historian Mark Sheftall, which assert that the representations of soldiers in the First World War (Anzacs in Australia, member...

From Barbusse to Lemaitre: The Evolution of Experience

Direct witness and thoughtful meditation are core values of content and form in the canon of French Great War fiction and were established from the earliest narratives in 1914. Moral authority and ownership of the truth...

Download PDF file
  • EP ID EP447670
  • DOI 10.7311/0860-5734.27.1.11
  • Views 4
  • Downloads 0

How To Cite

Dagmara Drewniak (2018). “[They] would say she was betraying Poland already”: Major Themes in Contemporary Canadian Literature by Writers of Polish Origins. Anglica. An International Journal of English Studies, 27(1), 149-164. https://europub.co.uk/articles/-A-447670