A CONSTRUÇÃO DO SUJEITO POR MEIO D’ OS INCRÍVEIS ARTEFATOS DA PRODUÇÃO CINEMATOGRÁFICA

Journal Title: Ideação - Year 2010, Vol 12, Issue 2

Abstract

In the Contemporary Brazilian society, we strongly have the religiosity concept, in oposition of the institutionalized religion concept. But this concept is not present in Adélia Prado’s poetry. Her poems remit us to this institutionalized religion concept, which was present in Western society until the XIX century. Besides, the female gender is represented as the basis for home and family, even so personal realization outside the private universe can be found, either. In this way, we can affirm Prado’s poetry confirm what Sennett (1988), characterize as the rising of familiar and individual life, in prejudice of public life.

Authors and Affiliations

Josiele Kaminski Corso Ozelame, Gizelle Kaminski Corso

Keywords

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  • EP ID EP689483
  • DOI -
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How To Cite

Josiele Kaminski Corso Ozelame, Gizelle Kaminski Corso (2010). A CONSTRUÇÃO DO SUJEITO POR MEIO D’ OS INCRÍVEIS ARTEFATOS DA PRODUÇÃO CINEMATOGRÁFICA. Ideação, 12(2), -. https://europub.co.uk/articles/-A-689483