Corneille’s Heroic Comedies
Journal Title: Studia Litterarum - Year 2017, Vol 2, Issue 3
Abstract
The article deals with a special type of drama specified by Corneille himself as heroic comedy. The playwright placed it somewhere in between two major types of drama, comedy and tragedy, and at the same time distinguished it from tragicomedy that was at the peak of fashion at the beginning of Corneille’s literary career. A typical tragicomedy of the first half of the 17th century derived either from comedy with the added tragic intonations and overtones or tragedy with various comic figures and situations introduced. The article demonstrates that Corneille practiced a more complex way of uniting different genres. From tragedies, he takes a conflict with parental power (euphemistically represented as a state power) but deprives it of its usual tragic severity and ambiguity. As a result, generic characteristics acquire a new meaning while heroic comedy, rather than a combination of elements of different genres, becomes a synthetic new genre in its own right.
Authors and Affiliations
M. L. Andreev
Keywords
Related Articles
- EP ID EP26165
- DOI 10.22455/2500-4247-2017-2-3-82-93
- Views 339
- Downloads 17
Diderot as the critique of art and the translation of time and place: from the pictural composition to the literary decomposition / recomposition
In his reflections on painting, Diderot as a theoretician of fine arts explains that the painter must respect the unity of time and place for the paintings to be thematically and aesthetically solid. However, the uniti...
Poetics of Octavio Paz’s The Violent Season
The poetics of Octavio Paz’s book The Violent Season (1958) is in great part defined by its autobiographical canvas: the sequence of the 9 poems that compose the lyrical series corresponds chronologically and geographi...
THE INVENTION OF PEASANT LITERATURE (on the materials of the All-Russian Society of Peasant Writers (VOKP), IWL department of manuscripts)
The essay focuses on the Society of Peasants Writers (hereafter referred as VOKP) that changed a number of names in the course of its existence — All-Russian Peasants’ Union of Writers (1921–1925), All-Russian Society o...
Alexander Pushkin in the 19 th Century Italian Drama
The article deals with the problem of Alexander Pushkin’s reception in the 19 th century Italy. In the first half of the century, during the years of national liberation movement, Italian intellectuals were concerned wit...
BOUNDARIES BETWEEN FICTION AND FACT IN THE LIGHT OF THE THREE LEVEL COMPARATIVE STUDIES
The author’s aim is to reconsider the difference between fact and fiction in diachronic, comparative, and interdisciplinary perspective. The study covers a long period, mainly from the 17th Century to the present time,...