ЕКФРАЗИС СИНТЕЗУ МИСТЕЦТВ В ЖАНРІ МУЗИЧНОГО ПОРТРЕТУ
Journal Title: World Science - Year 2018, Vol 6, Issue 1
Abstract
The article is dedicated to the issue of ecphrasis in the synthetic genre of the musical portrait in chamber and vocal works of the French composer F. Poulenc. The main task is to review the inter-art relations, cultural communication, and intermediality that is connected to the differentiating features of the visualization of avant-garde fine arts objects in the musical art, characterized by the willingness to transfer nonverbal images in a verbal manner. The scientific novelty is in the study of the specific features of the ecphrasis in works of F. Poulenc, through the example of the vocal cycle “Le Travail du Peintre” that is identical in its dramaturgical structure to the literary cycle; parallels are drawn with characteristic modern directions of avant-garde pictorial art for the composer – cubism, surrealism, etc. The major feature of the cycle becomes the application of the genre of the musical portrait for the depiction of the personalities of avant-garde artists and the generalized image of the artist. The conclusion of this study is the fact that due to the deep interconnection between literature and fine arts in the vocal cycle of F. Poulenc, the elements of ecphrasis are made evident, which intensifies the visualization of the objects of the fine arts, deepens the discovery of hidden meanings, which is much more versatile and significant from the position of the understanding of the psychologism of the musical portrait.
Authors and Affiliations
Ірина Леонідівна Вежневець
Keywords
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