El papel del artista como gestor en el escenario de lo público
Journal Title: Revista Académica Estesis - Year 2017, Vol 1, Issue 3
Abstract
This language is diverse and responds to various interests, but within common ground. There, is where the management drives the artistic activity by not only demanding compromise but also implementing new ways of reproduction, research, analysis and innovation
Authors and Affiliations
Eduardo Correa
Keywords
Related Articles
- EP ID EP701834
- DOI https://doi.org/10.37127/25393995.18
- Views 83
- Downloads 0
El andar como práctica cotidiana de resistencia para inventar la ciudad
Living in a city today implies being subject to the accelerated pace of the production and consumption activities, established in westernized societies. The speed requirement prevents spending time wh...
Lygia Clark y Michel Foucault. La torsión del espacio y su formación Estética
Möbius band twists the space image in the 20th century. Lygia Clark’s art and Michel Foucault’s philosophy provide testimony of it. This paper turns to the notion of care of truth in...
Sinergias: el arte y sus huellas, construcciones taxonómicas de los puentes del río Medellín que habitan los marginales en el centro de la ciudad
This article aims to demonstrate some research-creation processes that inquire into the concerns and dynamics related to the terms art and ethnography, which are an integral part of the methodological creation s...
El Uso Propagandístico de la Ruina: Fotografías en la Prensa Asturiana (1930-1940)
The discovery’s power of images opens a debate in our society, both past, and present and future. What came first, our iconic ability or our fear of it? Each visual medium has had (and has) a certain dominance over the v...
El hexagrama, entre el centro y la periferia crónica estesiográfica
This text is a chronicle that narrates the experience of putting together the final montage of the Integrating Pedagogical Proyect (PPI for its acronym in Spanish) Hexahedron 2015,...