ELEMENTS OF FIRE AND WATER IN THE NOVEL BY ANTON PONIZOVSKY “PRINCE INCOGNITO”
Journal Title: Вісник Одеського національного університету. Філологія: літературознавство, мовознавство - Year 2018, Vol 23, Issue 1
Abstract
The object of this article – a novel by modern Russian writer Anton Ponizovsky “Prince incognito”, which was published in 2017. The article focuses upon the defining of the specificity of author’s conception. A way of gaining the aim of the article is an analysis of the semantics of the elements of fire and water in the novel. These elements have the key role in several levels of the novel. In intertextual level – their significance sets on the verse by the poet of XVIII century N.A. Lvov, which are repeated in the text several times. Water and Fire are in straggle in this verse. But no one wins. On the plot level “Prince incognito” is a novel about the attempted of arson of a hospital psychiatric unit and its prevention. So these elements have key role on this level too. The richest is the semantics of the elements of fire and water at the level of the images of the main characters of the novel, Gasja (from surname Garsija) and Jivan. For Gasja fire is a trickster, game fire cheers him. Fire for him is the way to free themselves from his clumsy sedentary body and show the world how good he really is. Fire for Gasja is the channel of communication. It's the force that should change the world: destroy the world right and make it impossible, such as fairy tale. Fire for him is a sign of Regal power, grandeur. But such a fire he could not create. The semantics of water is not so rich in the novel, but it is important too. It is water of sea – the way of Gasja to his coronation. But water has more negative semantics nor positive in this novel. This is chlorinated water in the pool, which delivers the suffering to Gasja. This is deep dark water, to which Jivan plunges in his mirage. Both elements in the novel, as the characters of heroes are ambivalent. But neither one is not allowed to win, as none of the heroes achieve the goal. This final reflects the author's pessimistic concept of reality.
Authors and Affiliations
V. B. Musiy
DRAMA-REMAKE: THEORETICAL REFLECTION, FEATURES OF FUNCTIONING, GENRE POETICS
The article is devoted to one of the most productive genre innovations in the world drama of the turn of the 20th - 21st centuries - a remake drama. The term “drama-remake” is used in such meaning: a retelling of the fam...
«DIALOGIC» AND «MONOLOGIC» STRUCTURE IN THE NOVELS OF L. TOLSTOY1880– 1890 years
In this article the forms and styles of speech in L. Tolstoy’s novels were analysed: «monologue», «dialogical». Investigates the specifics of the organization «voice forms». Attention is paid to the architectonic and pro...
INNOVATIVE ABBREVIATIONS OF POLISH KINEMATICAL PHRASEOLOGISMS DENOTING EMOTIONS
Innovative abbreviations as one of the types of structural and semantic changes of Polish kinematical phraseological units denoting emotions are revealed and analyzed in the article. Their types and peculiarities of func...
THE VALUE AND VALUATION AS A LINGUISTIC AND PRAGMATIC MEANING
The aim of this paper is to analyze semantic and pragmatic aspects of the value and valuation which are expressed in linguistic meanings. The value assesment and evaluation are determined by the Language system and autho...
THE AUTHOR’S COMMUNICATIVE STRATEGIES FOR COMMUNICATING WITH THE READER IN CONTEMPORARY PROSE
The article is devoted to the study of the communicative interaction between the author and the reader as an expression of the strategies of speech behavior in the artistic discourse. The concept of communicative strateg...