FIGURATIVE-PLASTIC DIRECTING AS THE TOP OF BALLETEMAISTER
Journal Title: Молодий вчений - Year 2017, Vol 9, Issue 49
Abstract
The purpose of the work is to study the evolution of the art of the balletemaister in the perimeter of figurative-plastic directing. The methodological basis of scientific research is the application of the general scientific principle of objectivity, historicity, analytical, culturological and comparative methods in the analysis of factual material on the history of the profession of a balletemaister. The scientific novelty of the research is to work out a holistic vision of the dynamics of development and qualitative transformation of the art of the balletemaister into the art of figurative-plastic directing. Conclusions. The analysis gives grounds for concluding about the fundamental transformation of the profession content of balletemaister during the past century in the perimeter of the image figurative-plastic directing with the involvement of a wide spectrum of theatrical means of expressiveness based on rich experience of the world theater.
Authors and Affiliations
L. K. Patsunova
Keywords
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