INTERTEXTUAL ASPEKTS IN E. KONONENKO’S PROSE
Journal Title: Проблеми сучасного літературознавства - Year 2017, Vol 0, Issue 24
Abstract
Today the problem of intertextuality has a number of investigations that determine the specific texts as modernism and postmodernism. Intertextuality is a reference to the previous text with the aim of making new senses. Intertextuality is an important source of image Ukrainian authors postmodernists. E. Kononenko’s works are significant and unique phenomenon. The study found that the novel “Betrayal” is interpreted the theme of betrayal. Attention is focused on understanding the image of Othello in W. Shakespeare’s drama. In original plot of the novel “Betrayal” the author uses quotations, allusions, reminiscences connected with the works of W. Shakespeare. Fantastic plot elements are present in the novel “Betrayal” and short story “Cymbaline” Quantitative usage rate of intertext in E. Kononenko’s prose is very different. It depends on ideological and thematic author’s intent. The writer masterfully creates ironical versions of well-known stories in novel “Russian plot” (Eugene Onegin), story “Albina” (Sherlock Holmes). In the short story “Cymbaline” there is a direct reference to the name of a musical work, it is features of intermediality. The features of intermediality are determinant for poetics E. Kononenko’s novels “Betrayal” (theatre art), “Imitation” (pictures), “Russian plot” (names of the popular musician). As a result, in the short story “Cymbaline”, story “Albina”, novels “Betrayal”, “Russian plot” E. Kononenko uses allusions and quotations. These means of intertextuality make plotforming, characterforming, cultural functions in the structure of the text. Intertextuality and intermediality are determinant for the author’s prose.
Authors and Affiliations
Galina Avksentieva
Keywords
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