Mediowanie pamięci – o pinhole raz jeszcze
Journal Title: Kultura Popularna - Year 2016, Vol 2, Issue 48
Abstract
An article discusses two issues: continuous returnsof archaic photographic techniques in artisticpractice and a circulation of “technical”memory (or as Jacques Derrida called it – “artificial”memory, hypomnesis) in media, which aredestined to its storage. In my opinion, it is aninterplay of theory and practice that enlightenthe significance of bygone technologies for contemporaryculture. That is why, though a theoreticalground for my reflection is founded onconcepts by among the others Siegfried Zielinski,VilémFlusser, Sean Cubitt and José van Dijck,I analyse two case studies from the domain ofart. The first issue: a return to archaic photographyis presented on the example of Selfcreatures(Autotwory) a series of works by JarosławKlupś,the second: a circulation of memory is based onThe Dichotomy of Nests (Dychotomiagniazd) byGeorgia Krawiec. The text is divided into threeparts. The first presents a brief description ofpinhole photography and a history of its artisticre‑interpretations,the second focuses on thedifference in reception of recording of the pastand pre‑digitaland digital media, and finallyin the third one, I direct towards a mechanismof circulation of ideas, which are visualised bywide understood media.<br/><br/>
Authors and Affiliations
Marianna Michałowska
Keywords
Related Articles
- EP ID EP187217
- DOI 10.5604/16448340.1226685
- Views 69
- Downloads 0
Kultura Popularna nr 4 (58)/2018, Domesticities
KP cały numer<br/><br/>
Moda czy nostalgia? O tym, jak PRL funkcjonuje w wyobraźni społecznej współczesnych Polaków
Wzniosłe, piękne i polskie. O poszukiwaniu stylu narodowego w masowych wydaniach tomików poetyckich w II Rzeczpospolitej
Twentieth‑century literary transfer was effected mainly through written and printed texts. Walter Ong He stated that ‘the condition of words in the text is very different from their condition in spoken discourse’ and gav...
O pewnym wymiarze folkloru e-religijnego. Sieć objawień.
„Jestem zwykłym ludzkim automatem”. Figura człowieka-maszyny w tekstach polskich zespołów pierwszej połowy lat 80.
The figure of a man‑machine(a cyborg, an android)is a metaphor of social attitudes representedin art relatively frequently. In the paperthe problem of the presence of man‑machinein popular culture is analysed on the basi...