"НАЦІОНАЛЬНІ І ЄВРОПЕЙСЬКІ МОДЕРНІСТИЧНІ СКЛАДОВІ ІНДИВІДУАЛЬНОГО СТИЛЮ АНТОНА РУДНИЦЬКОГО"
Journal Title: World Science - Year 2017, Vol 1, Issue 8
Abstract
Kulinyak Nazar Ivanovich. National and European Modernist Components of the Anton Rudnytsky’s Individual Style. The article deals with the creative personality of one of the leading musicians of Ukrainian culture of the 20th century - Anton Rudnitsky, a composer, conductor, symphonist, pianist, critic, an active social and cultural figure, whose creative path took place in two artistic paradigms: the European and American continuum. Through the prism of the study of the artist’s creative becoming period in a wide range of modern modernist tendencies of European culture (V. Barvinsky, V. Kurts, L. Syrota), later, during studying in Germany (F. Shreker, F. Bouton, K. Zaks, G. Abert), the leading composer’s stylistic orientations were formed (B. Bartko, M. Ravel, I. Strvinsky, A. Senberg) and the radical level of their application in the author’s creative intentions in various planes of activity (vocal cycle "Chinese flute" on the tests of Li Bo, Atonal Sonata for piano op.11, "Three Hymns for the Hour of Industry" for bass and orchestra, Symphony No. 1). While systematizing the genre palette in order to identify the priority directions and the specifics of A. Rudnytsky's genre and stylistic thesaurus (vocal, choral, vocal-symphonic, stage, instrumental compositions, etc.) both in Ukrainian and in the foreign period, the leading signs of his composer's handwriting are revealed with the prevalence of the Avant-Garde and Modernist tendencies embedded in a specific national ground. However, the stylistic dynamics of the composer's handwriting gradually transforms from radical Avant-Garde quest to Romantic-Impressionistic and folkloristic tendencies that characterize the work of the American period, primarily associated with choral, cantata oratorical and operatic genres.
Authors and Affiliations
Назар Іванович Кулиняк
Keywords
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