„Płótno, piołun, sandały...”. Maksymilian Wołoszyn we wspomnieniach
Journal Title: ACTA POLONO-RUTHENICA - Year 2018, Vol 1, Issue 0
Abstract
Maximilian Kirienko-Voloshin (known as Maximilian Voloshin), a Russian poet and painter, was a colourful, maverick person; it is not possible to assess him unequivocally. He made a strong impression on people around him, which is reflected in abundant literary memoirs. When the opinions of Ivan Bunin, Marina Tsvetaeva, Eugenia Gertsyk, Nadezhda Teffi and Boris Sadovskoy are analysed, a heterogenetic picture of the artist emerges. His unusual demeanor and clothing, and surprising beliefs - often perceived as iconoclastic - attracted attention or even led to controversy.
Authors and Affiliations
Nel Bielniak
Keywords
Related Articles
- EP ID EP377501
- DOI 10.31648/apr.1466
- Views 71
- Downloads 0
К 200-летию Пушкина : "Александр Пушкин и славянство"
-----
Synonimia słowotwórcza żeńskich nazw osobowych w językach polskim i rosyjskim
----
Архаïзми серед споконвiчноï богословськоï фразеологiï
The article presents some fragments of the studies concerning archaic components, included in biblical lexis, still existing in contemporary Ukrainian and Russian languages. These two languages have coexisted and develop...
Ukraińskie przysłowia i porzekadła w polskim przekładzie Eneidy Iwana Kotlarewskiego
Ivan Kotlyarevsky’s Eneyida is a poem rich in paremic elements. The poem was considered a breakthrough in Ukrainian literature, not only because it was written in lively Ukrainian language, but, thanks to the author’s f...
Przyczynek do badań nad aspektem kulturowym Eneidy Iwana Kotlarewskiego w tłumaczeniu Piotra Kuprysia
Piotr Kupryś was the first Polish translator to fully translate two classical works fundamental for Ukrainian literature. These were: Kobzar by Taras Shevchenko and Eneida by Ivan Kotliarevsky. Kotliarevsky’s Eneida is a...