„Płótno, piołun, sandały...”. Maksymilian Wołoszyn we wspomnieniach

Journal Title: ACTA POLONO-RUTHENICA - Year 2018, Vol 1, Issue 0

Abstract

Maximilian Kirienko-Voloshin (known as Maximilian Voloshin), a Russian poet and painter, was a colourful, maverick person; it is not possible to assess him unequivocally. He made a strong impression on people around him, which is reflected in abundant literary memoirs. When the opinions of Ivan Bunin, Marina Tsvetaeva, Eugenia Gertsyk, Nadezhda Teffi and Boris Sadovskoy are analysed, a heterogenetic picture of the artist emerges. His unusual demeanor and clothing, and surprising beliefs - often perceived as iconoclastic - attracted attention or even led to controversy.

Authors and Affiliations

Nel Bielniak

Keywords

Related Articles

Rosja i Rosjanie w wierszach Mazurów

XIX century Mazurian’s poetry likewise their poetry from the beginning of the XX century enclose motives ant themes connected with Russians and the Russian Empire. The Russian Empire itself and Russian as the nation were...

Uniwersytet Warszawski

In 1920-1950, Soviet authorities used different strategies in response to Ukrainian folklore. On the one hand, they recognised folklore as the “voice of the people”, while stressing the importance of oral traditions in t...

Download PDF file
  • EP ID EP377501
  • DOI 10.31648/apr.1466
  • Views 60
  • Downloads 0

How To Cite

Nel Bielniak (2018). „Płótno, piołun, sandały...”. Maksymilian Wołoszyn we wspomnieniach. ACTA POLONO-RUTHENICA, 1(0), 7-17. https://europub.co.uk/articles/-A-377501