СМЕРТЬ СИМВОЛУ ЕПОХИ: МОНУМЕНТАЛЬНЕ МИСТЕЦТВО В РАКУРСІ ЦІННІСНИХ ТРАНСФОРМАЦІЙ СОЦІУМУ
Journal Title: Гуманітарний часопис - Year 2015, Vol 1, Issue 3
Abstract
Prilutskaya Alla DEATH SYMBOL OF THE ERA: THE MONUMENTAL ART IN THE CONTEXT OF THE AXIOLOGICAL TRANSFORMATION OF SOCIETY. From the standpoint of historical and genetic approach. the phenomenon of destruction of monumental art in different historical era as a kind of axiological conversion social and cultural space It is indicated that in the current conditions of transformation of the entire system of values forms of consciousness, active processes of globalization Ukraine was in the midst of civilizational shift. The ongoing reassessment of vsharply passes on the fate of people. Defining themselves in a new environment, new national, geopolitical, ideological, moral coordinates axiological -led processes of conversion of the whole sphere of social consciousness and art culture in particular. Especially resonance is manifested in literature and monumental art. Changing attitudes to the monuments of a bygone era, the devaluation of the communist ideals - a reflection of the search for moral and aesthetic symbolizations in the space of modern Ukrainian culture, find their own identity. Consideration of these processes requires the representatives of socio-humanitarian knowledge of a serious, coherent, correct analysis. In the context of the tasks of research interest is the article by A. Hildebrand, Lotman Yu, Charles S. Peirce, G. Le Bon, X. Ortega G'asset, Spengler, who became his theoretical and methodological basis. Purpose of the article - the consideration of the phenomenon of destruction of monumental art as a special kind of axiological conversion cultural space from the standpoint of historical and genetic approach. The examples of the destruction of an iconic era for his monumental works of art, specific axiological conversions of public life, forms the resonant practices - level indicators of human conflicts in different historical circumstances (from Ancient Egypt and Ancient Rome to modern Ukrainian realities). The study concluded that, firstly, the practice of targeted, managed by the state of destruction of works of monumental art is indispensable attribute of the most difficult moments of civilizational changes throughout the history of mankind. Second, the destruction of the monumental works of art reflect the devaluation of moral and cultural values, the symbol of which they were previously. Third, intensification of destructive processes in the area of artistic culture of a society is determined by the competition of socio-historical, socio-political, social and personal priorities of the previous and upcoming cultural epochs. Fourth, the intensification of the processes axiom-conversion requires the utmost concentration of the moral forces of society, a willingness to confront the inertia of a bygone era that activates the degree of human conflict in the process of destruction of its artistic character.
Authors and Affiliations
Алла Прилуцька
Keywords
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