The concept of beauty by Dostoevsky

Journal Title: ИДЕИ. ФИЛОСОФСКО СПИСАНИЕ - Year 2018, Vol 7, Issue 2

Abstract

Invoked stereotypically and, often, in improper contexts, some ideas are irreversibly “outworn” and their speculative “weight” is diminished, coming to be suspected of banality or rhetorism. Certainly, this would also be the case of the question formulated in Dostoevsky's The Idiot: “Is it true, Prince, that you once said that beauty will save the world? ... What kind of beauty will save the world?” In the absence of some firm and explicit definition, the interpretative enthusiasm became copiously inflamed, equally mobilizing the aestheticians, artists, moralists, mystics and theologians. What is it that maintained such an interest? The obvious utopian fragrance? The aesthetic “turn” of the novel soteriology? The prophetic tone? The naive trust in different “values”? The theorists of beauty invoke the formula in question with the hidden thought of somewhat legitimizing the unexpected scale of their own speculative pursuit or its all-embracing pragmatic openness, rarely glimpsed by “laymen”. Others, disregarding the context of the Dostoevskian evocation, use the opportunity for proposing definitions assumed more justified. The real evaluation, therefore, would be entirely foreign to art in general, and the reference to the latter must have been either inconsistent, or difficult to prove. Few know, though, that Dostoevsky was passionate about art, painting, that he was assiduously frequenting the (Russian or European) museums, that he used images, even artistic ones, in order to create or strengthen own arguments. Unlike the “underground individual”, the “beautiful individual” is described in terms of moral exemplarity. Can moral exemplarity be incarnated by a real, living individual, located right in this world? Is there an anthropological model that embodies the absolute Good? Can such a model become exemplary?

Authors and Affiliations

Petru Bejan

Keywords

Related Articles

The formation of the idea of infernal state in Medieval Western Christianity

y. The article presents a study of the genesis and formation of the idea of infernal state in religious discourse of the Medieval West. The development of concept of infernal state is reconstructed in the first part. The...

Paradoxality of sin in Kierkegaard’s conception

The article is devoted to the investigation of Kierkegaard’s conception of sin as a subject of philosophical reflection. The phenomenon of sin as philosophical and anthropological category is analyzed here as a source of...

Can Kierkegaard Preach?

Growing up in a Pentecostal Christian subculture in the American Southeast, I have often heard the phrase: “That can preach.” This idiomatic sentence is a bit difficult to explain in that it means both that some idea wou...

The specifics of the study of the mind in a systematic theology P. Tillich.

The article investigates the epistemological foundations of theology of P. Tillich. The concepts of static and dynamic in sound actualization of reason, epistemological, social and political, historical, philosophical...

Political myth-making like process forming of consciousness mass in modern Ukraine

The article explains the idea that political myth – a form of synthesis of mythological and political consciousness and is emotionally charged sensory perception of political reality, which largely replaces and supersede...

Download PDF file
  • EP ID EP509390
  • DOI 10.34017/1313-9703-2018-2(12)-10-17
  • Views 104
  • Downloads 0

How To Cite

Petru Bejan (2018). The concept of beauty by Dostoevsky. ИДЕИ. ФИЛОСОФСКО СПИСАНИЕ, 7(2), 10-17. https://europub.co.uk/articles/-A-509390