Time and space model of the artistic world of the poet`s poetry.
Journal Title: Львівський філологічний часопис - Year 2018, Vol 3, Issue
Abstract
In this article the philosophical categories of time and space are analyzed. The images of the biological, historical, space, calendar, daily, and also the basic ideas of motion and fixity, about the correlation of the past, present, future are revealed. The individual traits of creativity of the artist are revealed. The specific character of poetry of the artist through the deep comprehension of the artistic language of the text is revealed. Euvgene Pluzhnik portrays the time both historical and personal – with the predominance of the latter. The artist lives in his historical time, painfully experiencing his cruelty and lack of spirituality. For the poet, the historical time is past, fleeting, and alternating. The deep philosophical content has a cosmic time. In the lyric of the artist, the key concept of time has a real poetic understanding. The image field of the reference category expands in three directions: the actual time, part of the day, the calendar time. Semantic content of part of the day is expressed through emotional metaphorical images: dawn, morning, day, evening, night. Antithesis morning and evening has a polysemantic character : it is not only youth and maturity, it is a collision of dreams with reality. Note that the semantic center of Pluzhnik's lyrics is the image of days. A semantic palette of days is enriched with metaphorical pictures. The direct connection with the notion of time have categories of past – the future (as a binary opposition). This existential antithesis in all circumstances remains unchanged, eternal. To consider the time limits of the poetry of the artist is appropriate in connection with the space. The lively dimen- sion of lyrics forms the idea of the temporal spatial boundaries of the universe. Note that space is one of the compo- nents of the artistic language, which the composition says. Analysis of spatial orientation allows adequately navigate the artistic world of the artist. The typology of space is multiaspectal: images of closed and open space, terrestrial and cosmic, actually visible and imaginary. In Y. Pluzhnik we can observe the presence of all the counted types of space, which play an important role in the creation and construction of a peculiar space, which gradually pass into the transcendent (the one that goes beyond) space or meta‐space. As a conclusion, the time and space model of E. Pluzhnik's poetry artistic world is polysemantic. A wide range of categories comprehension of time and space is realized through the individual author's worldview.
Authors and Affiliations
О. І. Білічак
Keywords
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