ВИНА ЗА ТО, ЧТО СТАЛОСЬ С НАМИ ПОСЛЕ (Слово памяти об украинском русисте-чеховеде Нине Евгеньевне Крутиковой)
Journal Title: Inskrypcje. Półrocznik - Year 2018, Vol 0, Issue 1
Abstract
The article dwells on the sense of studying and teaching during the postgraduate literary studies. The researched example is the author’s relationship with his teacher of Russian Literary Studies Nina Krutikova (1913 – 2008). The main concept here interpreted is a vision of realism in the works by A.P. Chekhov developed by so called the Bielecki school. The main attainment of the Bielecki school in researching of the works of so called Chekhov’s artel is its evolving in the newly created system of Jasiński and Bibikov studies as well as collecting and systematization of facts about “Zarya” (paper published in Kiev, 1880 – 1886).
Authors and Affiliations
Vladimir Zvinyatskovsky
Keywords
Related Articles
- EP ID EP537502
- DOI 10.32017/ip2018.1.13
- Views 101
- Downloads 0
ZAKONNICE W WIDZENIU O PIOTRZE ORACZU WILLIAMA LANGLANDA I OPOWIEŚCIACH KANTERBERYJSKICH GEOFFREYA CHAUCERA – WYJĄTEK CZY NORMA W KLASZTORACH ANGIELSKICH W XIV WIEKU?
The paper is devoted to nuns described in the Vision of Piers Plowman by William Langland represented by the Prioress Johanne, Dame Peronelle and Dame Clarice, and in the Canterbury Tales by Geoffrey Chauc...
STEPPE AS A POSITIONAL MASTERPIECE. REGARDING CHEKHOV’S INNOVATIVE STYLE
The article deals with the concept of the positional style as applied to Chekhov’s works in general and his story, Steppe, in particular. The main goal is to show (1) how one can benefit from applying the positional meth...
ГЕНДЕРЛЕКТ В ДРАМАТИЧЕСКОМ ЭТЮДЕ А.П. ЧЕХОВА «НОЧЬ ПЕРЕД СУДОМ»
The article dwells on the content of the term ‘genderlect’ interpreted as a set of linguistic and mental features of male and female speech. The author singles out prosodic markers of male and female genderlects (labiali...
‘FOUR INTELLECTUAL AND CULTURED WOMEN’ IN THE PLAY THREE SISTERS
In this article the reasons of impossibility of mutual understanding between sisters Prozorovy and their sister-in-law Natasha in A.P. Chekhov’s play Three sisters are considered. The sisters and Natasha are representati...
THE POETICS OF SPACE IN CHEKHOV'S THREE SISTERS
The principal focus of the present interpretation is on some of the actual and abstract spatial notions in the play, the imagined stage props identified in the author’s stage directions (and the dialogues), the connectio...