FOLKLORYZM OF THE CREATIVITY OF MYCHAILO STARYTSKYI
Journal Title: Наукові праці. Серія "Філологія. Літературознавство" - Year 2016, Vol 277, Issue 265
Abstract
The article deals with the peculiarities of folk genres mastering in the literary works of Michailo Starytskyi. The artist is a member of the corypaeuses of Ukrainian theater, renowned personalities in the field of culture. He was a like-minced person of M Lysenko, M. Kropyvnytskyi, I. Karpenko-Karyi, M. Zankovetska, M. Sadovskyi, P. Saksahanskyi. M. Starytskyi name is inscribed in gold letters on the historicaly tablets of the world art. The literary heritage of playwright is very rich and various. He wrote about thirty plays including original texts based on folk sources, staging, processing, which extended the then theatrical repertoire in Ukraine. The delimitation of functions of folk components in the poetics by M. Starytskyi in the main theme of the study. The aim of the article is to trace the peculiarities of folk genres mastering in M. Starytskyi’s drama. Methodology: the works of Ukrainian and foreign scientists in the field of literary study, folk study, mythology, ethnography and art criticism are theoretical and methodological basis of our study. The systematic, comparative and historical, comparative and typological methods of study are used. Scientific novelty is determined by fact that it finds out in detail the functions of various folk genres in M. Starytskyi’s dramatic heritage. Field of application: research materials can be used in high school during study of basic and special literary courses and folklore. Conclusion: the playwright managed to combine organically the folk element with his art world, using his deep knowledge in Ukrainian folklore world. This creative symbiosis provided unusual stage success and popularity to dramas and comedies by M. Starytskyi’s untill today.
Authors and Affiliations
G. Nemchenko
Keywords
Related Articles
- EP ID EP231877
- DOI -
- Views 122
- Downloads 0
«A NEW ODYSSEY»: THE DECONSTRUCTION OF THE MODELS OF TRAVELER AND WARRIOR (BASED ON VOLODYMYR YERMOLENKO’S NOVEL THE FISHERMAN OF THE OCEAN: THE ODYSSEY’S HISTORY)
The subject of the study is the peculiarity of the artistic deconstruction of the image of Homer‟s Odyssey in the poetic paradigm of the novel The Fisherman of the Ocean: The Odyssey’s History by the contemporary Ukraini...
THE CHRISTIAN PARADIGM OF DEVELOPMENT OF THE MODERN UKRAINIAN POETRY (based on the Poetry Collection «In the Lord’s Meadow»
The article is devoted to the problem of «Christianity and literature». Proceeding from the statement that the writer’s axiology and style are closely related to each other, that the consciousness of a believing person d...
TYPOLOGY OF A SOCIAL STIGMA MOTIF IN TARAS SHEVCHENKO’S «NAIMYCHKA» AND E. GASKELL’S «RUTH»
The subject of the article is the typological comparison of Taras Shevchenko’s «Naimychka» («Hireling») and Eliz-abeth Gaskell’s «Ruth». The research goal is the motive of social stigma in the works of Ukrainian and Engl...
TRANSCULTURAL REPRESENTATIONS OF THE TRAVEL MOTIVE IN LOUISE ERDRICH’S LAROSE
Spatial experience of mobility and movement has a pivotal role in human life and is often built on the essential paradigms inherent in a particular culture. However, the latest developments in the field of transport and...
LORD’S PRAYER IN UKRAINIAN AND RUSSIAN POETRY (COMPARATIVE ANALYSIS AXIOLOGICAL PARADIGM)
The article discusses how the basic concepts of the sacred text of authoritative Christian prayer «Our Father» are perceived by Ukrainian and Russian poets. Based on the conviction that prayer is the mirror of man’s spir...