THE IMAGE OF MUSE IN UKRAINIAN POETRY AT THE TURN OF THE XIX – XX CENTURIES
Journal Title: Актуальні питання гуманітарних наук: Міжвузівський збірник наукових праць молодих вчених Дрогобицького державного педагогічного університету - Year 2018, Vol 20, Issue 3
Abstract
The article deals with the ancient myth that plays a structural role in the poetics of Ukrainian writers at the turn of the XIX – XX centuries. The aim of this study is to generalize existing observations, to study the dialogue of the poet of this era with the classical tradition, the detailed disclosure of the author's position and the analysis of stylistic solutions, the establishment of the typology of the phenomenon. The article gives a detailed analysis of the problem of classicism in Ukrainian literature, in which it did not receive proper development in due time. Also, this analysis can enrich our understanding of the works of G. Chuprynka, M. Voronyy, B.-I. Antonych, P. Filipovich, Y. Malanyuk, in particular their relation to the classical tradition. The main idea of the articles is a comparative historical and typological analysis of a number of original Ukrainian interpretations of the classic image of the Muse. This article reports the results of a change in the character and function of the image of the Muse, which in ancient times symbolized the free poetic inspiration and the natural pathos of the blessing of being. In Ukrainian poets, there is a gradation of the growth of anxious and tragic motives, which becomes a hidden controversy with the tradition and the manifestation of the macabristic period of the era. The article is of interest to the theme of the Muse in Ukrainian lyr- ics of the late nineteenth and early twentieth centuries became a kind of “filling the gaps” in the national literature, in which classicism did not have time to properly develop because of the colonial state of Ukraine, its language and culture. However, this sufficiently stereotyped classicistic image is interpreted diverse and many-sided in Ukrainian poetry of mentioned epoch. It reflected the vicissitudes of the spiritual search for a creative person, and due to the era of increasing anxiety and tragedy sentiment. The article is a great help to use in the field of comparative literary criticism, as well as studying the Modern culture.
Authors and Affiliations
Mariya CHIKARKOVA
Keywords
Related Articles
- EP ID EP645616
- DOI -
- Views 72
- Downloads 0
PECULIARITIES OF PEDAGOGICAL SKILLS FORMATION OF FINE ARTS TEACHERS
The article is an attempt to reveal the features of formation of pedagogical skills of teachers of fi ne arts in terms of an educational institution. It was found, that a central component of pedagogical skills of teache...
Psychological features of self-effi cacy development in the adolescent age
The article analyzes the problem of the ability of youth to self-ef¿ cacy. The theoretical approaches to the study of the essence, structure and peculiarities of this psychological phenomenon are generalized. It has been...
SPANISH WORD CLASSIFICATION BY THEIR INFLECTION FEATURES
The present article is devoted to the main issues of building up the classification, which groups Spanish words, by their inflection features. For this purpose, a formal model of word inflection was proposed, the model c...
AUTOCHTONES OF THE MODERN ENGLISH GASTRONOMIC ADVERTISING AESTHETIC DISCOURSE
The article investigates the conceptual space of modern English gastronomic advertising aesthetic discourse as a system of hierarchically organized concepts-autochthons. In the context of gastronomic advertising discours...
THEORETICAL PRINCIPLES FOR THE FORMATION OF ETHNOCULTURAL COMPETENCE OF THE FUTURE TEACHER-PHILOLOGIST
Currently, the issue of the ethno-cultural identity preservation and awareness of the greater significance of his own ethno-national values among the world ones is extremely important for every Ukrainian. A young man nee...